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Unit 6

19. It can be inferred from the first paragraph that -

(1) the silent film’s elite opposed the addition of sound to films (2) the silent films developed realism to its highest peak (3) the directors of silent films were embarrassed with their work (4) by 1928 the situation in the film industry was chaotic

20. It can be inferred from the second paragraph that -

(1) the sound track was first introduced between 1928 and 1930 (2) there was an enormous difference in editing between silent and sound track films (3) the sound track created a new cinema (4) there is no proof that there actually was a relationship between directors

21. The author mentions the directors in the beginning of the third paragraph in order to -

(1) show resemblance between directors of both the sound and the silent years (2) demonstrate the gap separating the 1920s from the 1930s (3) mention a few names of director from the silent film (4) prove that there were values that carried over from the sound to the silent film

22. It can be deduced from the text that the author -

(1) believes that the introduction of the sound track was a productive step (2) supports the convictions of the silent film’s elite (3) does not think that there is a way to bridge the gap between silent and sound films (4) believes that certain concepts of cinematographic expression underline the dispute of the 1928’s

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